http://www.webtvwire.com/mpaa-data-about-illegal-movie-downloading-from-university-campuses-inaccurate/ The Business of Internet Television and Video Thu, 18 Mar 2010 11:43:23 -0600 http://wordpress.org/?v=2.8.4 hourly 1 http://www.webtvwire.com/mpaa-data-about-illegal-movie-downloading-from-university-campuses-inaccurate/comment-page-1/#comment-66345 One Stop Shop For Legal Movie Sources | MPAA Pointing Towards Amazon, Netflix, iTunes » Web TV Wire Mon, 28 Jul 2008 21:07:33 +0000 http://www.webtvwire.com/mpaa-data-about-illegal-movie-downloading-from-university-campuses-inaccurate/#comment-66345 [...] Attack on illegal sources such as torrents and peer-to-peer clients has included legal shut-downs, filtering college campuses, and that whole sorry TorrentSpy mess. [...] [...] Attack on illegal sources such as torrents and peer-to-peer clients has included legal shut-downs, filtering college campuses, and that whole sorry TorrentSpy mess. [...]

]]> http://www.webtvwire.com/mpaa-data-about-illegal-movie-downloading-from-university-campuses-inaccurate/comment-page-1/#comment-39877 Rob Wellington Sat, 26 Jan 2008 23:34:16 +0000 http://www.webtvwire.com/mpaa-data-about-illegal-movie-downloading-from-university-campuses-inaccurate/#comment-39877 Does the film industry think it is so different to the music industry? Surely the writing has been writ large on the wall (to mash 2 cliches). The Net offers a distribution system that shifts power to the audience and the artists (where it belongs). Obviously this is threatening to the most profitable (least creative and risky) section of the industry. By attacking their customers, especially their brightest and most technically savvy customers (the ones who will have the power to destroy them), the studios are ensuring their irrelevance to the future of film. Does the film industry think it is so different to the music industry? Surely the writing has been writ large on the wall (to mash 2 cliches). The Net offers a distribution system that shifts power to the audience and the artists (where it belongs). Obviously this is threatening to the most profitable (least creative and risky) section of the industry. By attacking their customers, especially their brightest and most technically savvy customers (the ones who will have the power to destroy them), the studios are ensuring their irrelevance to the future of film.

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